"Julius Caesar, yaşamına tarihin büyük adamlarının çoğunun yaşamının toplamından daha fazlasını sığdırdı. Philip Freeman yeteneği ve duru diliyle bu yoğun yaşamı ayrıntılarıyla anlatıyor. Freeman, okuyuculara heyecan verici ve sürprizlerle dolu bir anlatı sunuyor. Bilim insanları bu kitapta hayran olacakları çok şey bulacak, ancak daha da önemlisi Antik Roma konusuna yeni olan okuyucular kitabın sayfalarını büyük bir heyecan, aydınlanma ve merak duygularıyla çevirecekler." -- Anthony Everitt, Augustus ve Cicero’nun yazarı.
"Zarif, bilgi dolu ve insanı okumaya zorlayan Iulius Caesar kapsamlı konular kadar parlak ayrıntıları da içeriyor. Freeman, tarihin en büyük ve en korkunç kişiliklerinden birinin öyküsünü muzafferane bir biçimde anlatıyor.
In the far future, are you ready to fly on galactic adventures with Miles and his robo-ostrich friend Merc? Colorize exciting scenes, make cool designs and complete activities!(From the Promotion Bulletin)
"After imitating my father and writing poetry, and then quitting writing poetry to get rid of my father, my first step into the cinema was as Pasolini's assistant. Pasolini was inventing a language and I was his assistant. All the love and passion one would expect from a bourgeois who chose Marxism at that time. I was a Marxist full of despair and arguments. We used to fall asleep at night with arguments and dreams, and at dawn we opened our eyes not to the morning but to the future. Our guides were Rosselini and Godard. Actually, I think cinema is always political, but all films made within the system are also open to exploitation by the system. .
In this book, which includes interviews with Ken Loach, who is known for including people and sections from the 'working class' and 'insignificant lives' throughout his directorship in world cinema, you will read first-hand the director's views on his own cinema, his understanding of directing, casting and screenwriting. .
Instead of first designing and writing a story, turning it into a screenplay, and then choosing actors suitable for that scenario, I first start thinking about the characters, then build and write a story about them. In fact, I like to think of roles that fit the characters I've known on one occasion. That's why it's much easier for me to write dialogue and story drafts since I start by identifying the characters.
Evrim Nacar, looking at Buñuel's cinema from a different perspective, tried to witness the secrets of the director's four films from different periods of his life, who found his balance between death and eroticism...
'Anyone who goes behind the camera can shoot a human face. I am fond of acting, I do not want the camera to steal the role from the actor. Besides, you don't have much time to think while the camera is running. Naturalness is the greatest condition of comedy. I believe in realism unconditionally. Comedy should be real and relevant to life. Real things appeal to people much more than grotesque fiction. That's why my comedy is real life. When I start a movie, even if I have the plot in my mind, I walk out in front of the camera without the slightest idea of how to act. I suggest to myself 'I am my character'. Improvisational acting is nine-tenths of a truth, while practiced acting misses out at the same rate...'
"Filmmaking is not about audiences, festivals, reviews, conversations. Making movies means getting up at six in the morning every day. It means cold, rain, mud, carrying heavy light materials. First of all, it's a frustrating profession and everything is about your family, your feelings. Your privacy, including your private life, is put on the back burner.And after all, making a movie means patience.
Balkan Cinema deals with the exclusion of the Balkans from the cultural sphere of Europe and its impact on narrative strategies, the cosmopolitan image of Sarajevo, diasporas, the place of snipers, traitors, victims, women and ethnic minorities in films about the Balkans, and Balkan identity. and it has become a reference book on representation...
Consisting of interviews with Jean-Luc Godard, considered the poet of cinema and influencing world cinema in the most original ways for sixty years, this book reveals the director's views on life and cinema, in which he does not separate the two.
“As in all branches of art, there is only one choice in terms of cinema principles. As Camus said, it is the artist's revolt against actuality. After strict adherence to this principle, what does it matter what tools are used to reveal reality? Whatever a film critic finds in a novel, a news story, or in his imagination, what matters is the way he or she confines, shelters, shapes and appropriates what he finds. If it can do that, it doesn't matter where the source is. ” (Antonioni)
This book, which consists of interviews with the director and in-depth articles about the director's cinema, as well as an interview with Andy Warhol, gives a 'Hitchcock touch' to world cinema with cult films such as "Birds", "Rebecca", "Secret Agent", "We Want to Live" and many more. It is a satisfying study of Alfred Hitchcock's cinema, with the director's perspective on the cinema, key clues to the shooting process, his sense of fear, and surprising views on his relationship with the audience… (From the Bulletin)
Marty McFly traveled back in time to 1955. Will he find a way... to return to the future? Are you ready to have fun with the picture story book from the classic movie you know and love? Traveling back in time to 1955, Marty McFly is trapped in the past. The time machine isn't working and he has to make his mom and dad fall in love... otherwise he will never be born! Will she be able to fix everything before it's too late? Book Title: Pop Classic-Back to the Future Translator: Burcu Öcalgil Author: Robert Zemeckis, Bob Gale Size: 21 x 28 Number of Editions: 1st Edition
Having saved Metropolis from alien invasion, Superman is now a world-renowned Superhero.
Meanwhile, Batman, the protector of Gotham City, preferred to fight the criminals in the background.
(From the Promotion Bulletin)
Number of Pages: 145
Graphic: Asmin A. Gundogdu
Editorial Director: Ilgin Sonmez
The End Of The Fucking World: “When I was 16, I thought I was in love with Alyssa…” James and Alyssa are two teenagers facing the fears of approaching adulthood. As we listen to their stories alternately from their own mouths in each episode, we witness that these very familiar adolescence experiences evolve into a nihilistic end. The increasingly sociopathic character James forces the duo to the menacing end of a forced journey like “Badlands” or “The Catcher in the Rye”.
Book Name: My First Coloring Book Captain Marvel - Marvel Super Hero Adventures Author:Collective Dough Type: 1. Dough Number of Pages: 16 Size: 22 x 22 Number of Editions: 1st Edition Language Turkish